mr. mittens (akmed) wrote,
mr. mittens

stainless steel providers

ministry used to take the piss out of everybody. three inch nails , although involved with the members of ministry in some projects, seems to have distilled the jagged vicious glory that was ministry into the safe as houses mainstream make money and be likable to the masses of asses grotesquely over glorified crap music that's EZ listenin' for the tragic mopey suburban middle class teen set. and he got all the glory and presumable all the fame and bling even though it's a very very pale pasty white gelded imitation. i would wait and wait for songs like this- it made going out dancing just the whole world and all your anger and frustrations and passions and needs and lusts would converge and explode out of it.

stigmata- ministry. we never get to fucking hear this. just fuck you all for ignoring this. fucking play it. it's like a large whirling chunk of flaming metal hitting a goddamn wall- the wall of jaded shitty teeny bopper new wave anime tastes.

so where were you in 1992? we were ever so fond of dropping ' stigmata' then something like this- from before moby became whatever the fuck he is now( lame and an ' artiste' i guess)- the flip side of ' next is the e', ' 1,000'. it totally fucks your head up and drags you screaming along with it even if you're just sitting still and don't want to go.... catch your breath there, mate:

one of the reasons cherry red records- the sometime one time home of the marine girls and the monochrome set- was able to stay aloft was this track by miss jane which was opted by opus III and turned into an extremely popular early-ish techno song( although most people now who have no idea what techno was/is wouldn't recognize it as such.). it's recently been redone by another euro techno drone because no one seems to have an idea of their own anymore. miss jane was the original. it's a haunting yet sweet very atmospheric song.

miss jane- it's a fine day

in case you didn't know. i'd like you to realize, you're not alone. this song always makes me cry. one of the last truly great techno slipping into trip hop with drum and bass overtones club songs for me. it's really such a goth song because goths are after all at heart romantics and wistful ones at that. very twirly:

olive- youre not alone.

and so to bed because i just got home from work and felt twirly and angry and nothing all at the same time.

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